- Removing fishman sonitone pickup how to#
- Removing fishman sonitone pickup professional#
- Removing fishman sonitone pickup series#
Jeremy Kittel plays a violin by Walter Stopka, of Chicago, which he found on consignment in Nashville in 2010.
Removing fishman sonitone pickup professional#
For more demanding professional applications, we carry higher-end solutions, such as Acoustic Image and Acus amps, as well as Fishman and Bose personal PA systems.”Īn A-list Producer & Engineer Offers Tips on Effective Post-Production What Do the Pros Use?
Removing fishman sonitone pickup series#
Kustom’s Sienna series acoustic amps are great for smaller performance applications on a tighter budget. Most players are successful using Fishman Loudbox Mini or Fishman Artist model amplifiers with pickups. “Solo or with a band? If with a band, how loud and what other instruments will be involved? Will you rely on an amplifier for all of your sound, or will you run through a PA system? Once we determine these things, we can recommend the size and power of amplifier you will need. “By this we mean, will you play in small, medium, or larger performance venues?” he says. The physical properties of the piezoelectric, or electrostatic elements, in the case of the Schertler STAT system, also factor into tonal quality.” How will you amplify and in what settings will you be playing? The placement of the pickup element or elements- for example, in the bridge to one side both sides or the center beneath the bridge between the feet and violin top or adhered to the body, as in the case of a contact mic-will affect the quality and balance of tone. “Many of the removable and permanent piezo-pickup systems are relatively more feedback resistant compared to microphones-though not as feedback resistant as a solid-body electric violin-and offer varying degrees of tonal complexity. “Microphones, though they also color tone somewhat, tend to reproduce the violin’s tone in its ‘purest’ form, but can be difficult to optimize in terms of placement and direction, and are also considerably more prone to feedback and picking up ambient noise than a piezo-pickup system,” Monserud notes. ISI pickups by Eric Aceto are highly regarded by professionals for their amplified tone, but are also ideal systems for crossover performers as their thin, high-quality bridge design has no measurable impact on acoustic tone.” Will you be playing in a setting or style that requires (A) as close as possible acoustic tonal reproduction (B) maximum feedback resistance or (C) a compromise between the two? “For a permanent pickup solution, look into bridge-replacement pickups such as the LR Baggs, Fishman, Schatten, or ISI Aceto/Violect Deluxe pickups. “If the answer is ‘yes’ then there are a number of good options, such as the Kremona, Fishman, MiSi, the Realist SoundClip, and Schertler pickups,” Monserud says. Do you need a pickup that can be easily installed and removed in order to go back and forth between amplified and acoustic playing? Don’t hesitate to ask your local violin shop to explain the technology and weigh the options.ĭuncan Monserud, an instrument specialist at the Electric Violin Shop in Durham, North Carolina, poses three questions and offers the following advice to customers who are investigating the ideal solution. And look into special effects, such as reverb and digital delay. microphones, the use of pre-amps and amplifiers, as well as whether you should plug into a house PA system.
Familiarize yourself with the options: pickups vs. You just need to find the one that suits you best.
Professional players and equipment experts agree there’s no single solution for those seeking to reproduce a pure acoustic sound.
Removing fishman sonitone pickup how to#
“It’s often a challenge in each unique situation to figure out how to best preserve and amplify and express that true sound.” “The timeless, beautiful sound of an acoustic violin or fiddle is what drew so many of us to play the instrument,” says Jeremy Kittel, a Grammy-nominated violinist and violist whose styles range from classical to Celtic to bluegrass to jazz.
So what’s the best way to amplify an acoustic stringed instrument?
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